Umberto Eco Quote

You mean the Grail also comes into this? Belbo asked. Naturally. And I’m not the only one who says so. You are educated men; there is no need for me to go into the legend of the Grail. The Knights of the Round Table, the mystical quest for this miraculous object, which some believe was the chalice in which the blood of Jesus was collected. The Grail taken to France by Joseph of Arimathea. Others say it is a stone that possesses mysterious powers. The Grail is often depicted as a dazzling light. It’s a symbol representing power, a source of immense energy. It nourishes, heals wounds, blinds, strikes down…. Some have thought of it as the philosopher’s stone of the alchemists, but even if that’s so, what was the philosopher’s stone if not a symbol of some cosmic energy? The

Umberto Eco

You mean the Grail also comes into this? Belbo asked. Naturally. And I’m not the only one who says so. You are educated men; there is no need for me to go into the legend of the Grail. The Knights of the Round Table, the mystical quest for this miraculous object, which some believe was the chalice in which the blood of Jesus was collected. The Grail taken to France by Joseph of Arimathea. Others say it is a stone that possesses mysterious powers. The Grail is often depicted as a dazzling light. It’s a symbol representing power, a source of immense energy. It nourishes, heals wounds, blinds, strikes down…. Some have thought of it as the philosopher’s stone of the alchemists, but even if that’s so, what was the philosopher’s stone if not a symbol of some cosmic energy? The

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About Umberto Eco

Umberto Eco (5 January 1932 – 19 February 2016) was an Italian medievalist, philosopher, semiotician, novelist, cultural critic, and political and social commentator. In English, he is best known for his popular 1980 novel The Name of the Rose, a historical mystery combining semiotics in fiction with biblical analysis, medieval studies and literary theory, as well as Foucault's Pendulum, his 1988 novel which touches on similar themes.
Eco wrote prolifically throughout his life, with his output including children's books, translations from French and English, in addition to a twice-monthly newspaper column "La Bustina di Minerva" (Minerva's Matchbook) in the magazine L'Espresso beginning in 1985, with his last column (a critical appraisal of the Romantic paintings of Francesco Hayez) appearing 27 January 2016. At the time of his death, he was an Emeritus professor at the University of Bologna, where he taught for much of his life. In the 21st century, he has continued to gain recognition for his 1995 essay "Ur-Fascism", where Eco lists fourteen general properties he believes comprise fascist ideologies.