Trevanian Quote

Your scorn for mediocrity blinds you to its vast primitive power. You stand in the glare of your own brilliance, unable to see into the dim corners of the room, to dilate your eyes and see the potential dangers of the mass, the wad of humanity. Even as I tell you this, dear student, you cannot quite believe that lesser men, in whatever numbers, can really defeat you. But we are in the age of the mediocre man. He is dull, colorless, boring — but inevitably victorious. The amoeba outlives the tiger because it divides and continues in its immortal monotony. The masses are the final tyrants. See how, in the arts, Kabuki wanes and withers while popular novels of violence and mindless action swamp the mind of the mass reader. And even in that timid genre, no author dares to produce a genuinely superior man as his hero, for in his rage of shame the mass man will send his yojimbo, the critic, to defend him. The roar of the plodders is inarticulate, but deafening. They have no brain, but they have a thousand arms to grasp and clutch at you, drag you down.

Trevanian

Your scorn for mediocrity blinds you to its vast primitive power. You stand in the glare of your own brilliance, unable to see into the dim corners of the room, to dilate your eyes and see the potential dangers of the mass, the wad of humanity. Even as I tell you this, dear student, you cannot quite believe that lesser men, in whatever numbers, can really defeat you. But we are in the age of the mediocre man. He is dull, colorless, boring — but inevitably victorious. The amoeba outlives the tiger because it divides and continues in its immortal monotony. The masses are the final tyrants. See how, in the arts, Kabuki wanes and withers while popular novels of violence and mindless action swamp the mind of the mass reader. And even in that timid genre, no author dares to produce a genuinely superior man as his hero, for in his rage of shame the mass man will send his yojimbo, the critic, to defend him. The roar of the plodders is inarticulate, but deafening. They have no brain, but they have a thousand arms to grasp and clutch at you, drag you down.

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About Trevanian

Rodney William Whitaker (June 12, 1931 – December 14, 2005) was an American film scholar and writer who wrote several novels under the pen name Trevanian. Whitaker wrote in a wide variety of genres, achieved bestseller status, and published under several other names, as well, including Nicholas Seare, Beñat Le Cagot, and Edoard Moran. He published the nonfiction book The Language of Film under his own name.
Between 1972 and 1983, five of his novels sold more than a million copies each. He was described as "the only writer of airport paperbacks to be compared to Zola, Ian Fleming, Poe, and Chaucer." Whitaker adamantly avoided publicity for most of his life, his real name a closely held secret for many years. The 1980 reference book Twentieth-Century Crime and Mystery Writers listed his real name in its Trevanian entry.