Trevanian Quote
It was not their irritating assumption of equality that annoyed Nicholai so much as their cultural confusions. The Americans seemed to confuse standard of living with quality of life, equal opportunity with institutionalized mediocrity, bravery with courage, machismo with manhood, liberty with freedom, wordiness with articulation, fun with pleasure - in short, all of the misconceptions common to those who assume that justice implies equality for all, rather than equality for equals.
Trevanian
It was not their irritating assumption of equality that annoyed Nicholai so much as their cultural confusions. The Americans seemed to confuse standard of living with quality of life, equal opportunity with institutionalized mediocrity, bravery with courage, machismo with manhood, liberty with freedom, wordiness with articulation, fun with pleasure - in short, all of the misconceptions common to those who assume that justice implies equality for all, rather than equality for equals.
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About Trevanian
Rodney William Whitaker (June 12, 1931 – December 14, 2005) was an American film scholar and writer who wrote several novels under the pen name Trevanian. Whitaker wrote in a wide variety of genres, achieved bestseller status, and published under several other names, as well, including Nicholas Seare, Beñat Le Cagot, and Edoard Moran. He published the nonfiction book The Language of Film under his own name.
Between 1972 and 1983, five of his novels sold more than a million copies each. He was described as "the only writer of airport paperbacks to be compared to Zola, Ian Fleming, Poe, and Chaucer." Whitaker adamantly avoided publicity for most of his life, his real name a closely held secret for many years. The 1980 reference book Twentieth-Century Crime and Mystery Writers listed his real name in its Trevanian entry.
Between 1972 and 1983, five of his novels sold more than a million copies each. He was described as "the only writer of airport paperbacks to be compared to Zola, Ian Fleming, Poe, and Chaucer." Whitaker adamantly avoided publicity for most of his life, his real name a closely held secret for many years. The 1980 reference book Twentieth-Century Crime and Mystery Writers listed his real name in its Trevanian entry.