Stephen King Quote
It's probably wrong to believe there can be any limit to the horror which the human mind can experience. On the contrary, it seems that some exponential effect begins to obtain as deeper and deeper darkness falls-as little as one may like to admit it, human experience tends, in a good many ways, to support the idea that when the nightmare grows black enough, horror spawns horror, one coincidental evil begets other, often more deliberate evils, until finally blackness seems to cover everything. And the most terrifying question of all may be just how much horror the human mind can stand and still maintain a wakeful, staring, unrelenting sanity. That such events have their own Rube Goldberg absurdity goes almost without saying. At some point, it all starts to become rather funny. That may be the point at which sanity begins either to save itself or to buckle and break down; that point at which one's sense of humor begins to reassert itself.
It's probably wrong to believe there can be any limit to the horror which the human mind can experience. On the contrary, it seems that some exponential effect begins to obtain as deeper and deeper darkness falls-as little as one may like to admit it, human experience tends, in a good many ways, to support the idea that when the nightmare grows black enough, horror spawns horror, one coincidental evil begets other, often more deliberate evils, until finally blackness seems to cover everything. And the most terrifying question of all may be just how much horror the human mind can stand and still maintain a wakeful, staring, unrelenting sanity. That such events have their own Rube Goldberg absurdity goes almost without saying. At some point, it all starts to become rather funny. That may be the point at which sanity begins either to save itself or to buckle and break down; that point at which one's sense of humor begins to reassert itself.
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About Stephen King
His debut, Carrie (1974), established him in horror. Different Seasons (1982), a collection of four novellas, was his first major departure from the genre. Among the films adapted from King's fiction are Carrie (1976), The Shining (1980), The Dead Zone and Christine (both 1983), Stand by Me (1986), Misery (1990), The Shawshank Redemption (1994), Dolores Claiborne (1995), The Green Mile (1999), The Mist (2007), and It (2017). He has published under the pseudonym Richard Bachman and has co-written works with other authors, notably his friend Peter Straub and sons Joe Hill and Owen King. He has also written nonfiction, notably Danse Macabre (1981) and On Writing: A Memoir of the Craft (2000).
Among other awards, King has won the O. Henry Award for "The Man in the Black Suit" (1994) and the Los Angeles Times Book Prize for Mystery/Thriller for 11/22/63 (2011). He has also won honors for his overall contributions to literature, including the 2003 Medal for Distinguished Contribution to American Letters, the 2007 Grand Master Award from the Mystery Writers of America and the 2014 National Medal of Arts. Joyce Carol Oates called King "a brilliantly rooted, psychologically 'realistic' writer for whom the American scene has been a continuous source of inspiration, and American popular culture a vast cornucopia of possibilities."