I want my books to explore motives which make people think, 'Wow! Imagine the psychological state you'd have to be in for that to be your motive!' Whereas things like blackmail, jealousy - they're rat...
No highbrow literary type would ever say 'Moby Dick' is good but it's just about a whale, or a Jane Austen would be important if she wasn't just writing about romantic relationships.
All through childhood, I wrote verses and mysteries. There is, for me, one connection: structure. My poetry is metrical, rhyming.
