Ruth Ozeki Quote

There's the fact of her being a hundred and four years old. I keep saying that's her age, but actually I'm just guessing. We don't really know for sure how old she is, and she claims she doesn't remember, either. When you ask her, she says, Zuibun nagaku ikasarete itadaite orimasu ne. .... (footnote) Zuibun nagaku ikasarete itadaite orimasu ne -- I have been alive for a very long time, haven't I? Totally impossible to translate, but the nuance is something like: I have been caused to live by the deep conditions of the universe to which I am humbly and deeply grateful. P. Arai calls it the gratitude tense, and says the beauty of this grammatical construction is that there is no finger pointed to a source. She also says, It is impossible to feel angry when using this tense.

Ruth Ozeki

There's the fact of her being a hundred and four years old. I keep saying that's her age, but actually I'm just guessing. We don't really know for sure how old she is, and she claims she doesn't remember, either. When you ask her, she says, Zuibun nagaku ikasarete itadaite orimasu ne. .... (footnote) Zuibun nagaku ikasarete itadaite orimasu ne -- I have been alive for a very long time, haven't I? Totally impossible to translate, but the nuance is something like: I have been caused to live by the deep conditions of the universe to which I am humbly and deeply grateful. P. Arai calls it the gratitude tense, and says the beauty of this grammatical construction is that there is no finger pointed to a source. She also says, It is impossible to feel angry when using this tense.

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About Ruth Ozeki

Ruth Ozeki (born March 12, 1956) is an American-Canadian author, filmmaker and Zen Buddhist priest. Her books and films, including the novels My Year of Meats (1998), All Over Creation (2003), A Tale for the Time Being (2013), and The Book of Form and Emptiness (2021), seek to integrate personal narrative and social issues, and deal with themes relating to science, technology, environmental politics, race, religion, war and global popular culture. Her novels have been translated into more than thirty languages. She teaches creative writing at Smith College, where she is the Grace Jarcho Ross 1933 Professor of Humanities in the Department of English Language and Literature.