Robert Crais Quote

Pike approached the man from behind. He shifted left or right just enough to stay in the man’s blind spot, moving so quickly that he was outside the office one moment and across the lot in the next, watching the key go in the lock, seeing the door open— Pike hooked his left arm under the man’s chin, and lifted. He closed his arm on the man’s throat and squeezed as hard as he could, shoving the man into the room as he brought out the Kimber, using the man as a shield. Pike expected more men, but the room was empty. A single room and a bath. Pike toed the door closed, still holding the man. The drapes were open, so Pike could see no one was in the parking lot and no one had stirred from the office. The man kicked and thrashed, but Pike held him up and off balance with a knee. The man punched backwards, clawed at Pike’s arm, and made a gurgling sound. He was a strong man in very good shape. His nails cut into Pike’s skin. Pike slipped his free arm across the back of the man’s neck and pushed the man’s throat into the crook of his elbow. Pike squeezed and pushed and held it. The thrashing slowed. The man stopped kicking. His body went limp.

Robert Crais

Pike approached the man from behind. He shifted left or right just enough to stay in the man’s blind spot, moving so quickly that he was outside the office one moment and across the lot in the next, watching the key go in the lock, seeing the door open— Pike hooked his left arm under the man’s chin, and lifted. He closed his arm on the man’s throat and squeezed as hard as he could, shoving the man into the room as he brought out the Kimber, using the man as a shield. Pike expected more men, but the room was empty. A single room and a bath. Pike toed the door closed, still holding the man. The drapes were open, so Pike could see no one was in the parking lot and no one had stirred from the office. The man kicked and thrashed, but Pike held him up and off balance with a knee. The man punched backwards, clawed at Pike’s arm, and made a gurgling sound. He was a strong man in very good shape. His nails cut into Pike’s skin. Pike slipped his free arm across the back of the man’s neck and pushed the man’s throat into the crook of his elbow. Pike squeezed and pushed and held it. The thrashing slowed. The man stopped kicking. His body went limp.

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About Robert Crais

Robert Crais (pronounced ; born June 20, 1953) is an American author of detective fiction and former screenwriter. Crais began his career writing scripts for television shows such as Hill Street Blues, Cagney & Lacey, Quincy, Miami Vice and L.A. Law. His writing is influenced by Raymond Chandler, Dashiell Hammett, Ernest Hemingway, Robert B. Parker and John Steinbeck. Crais has won numerous awards for his crime novels. Lee Child has cited him in interviews as one of his favourite American crime writers. The novels of Robert Crais have been published in 62 countries and are bestsellers around the world. Robert Crais received the Ross Macdonald Literary Award in 2006 and was named Grand Master by the Mystery Writers of America in 2014.