Richard Flanagan Quote

He found in the time he was able to spend with Tom—by phone once a month and what became after a time an annual visit to Sydney in midwinter, and then, as his reputation grew and he travelled to Sydney more frequently—that special closeness that siblings sometimes have. It was an ease of company that allows for most things to be unsaid, for awkwardness and error to be entirely unimportant, and for that strange sense of a mysterious shared soul to be expressed through the most trivial of small talk. If beyond their blood relation they had almost nothing in common, Dorrigo Evans still increasingly felt with Tom that he was but one aspect of a larger thing, of which his brother was another, different but complementary part, and their meetings were not so much an assertion of self as a welcome dissolution of it in each other.

Richard Flanagan

He found in the time he was able to spend with Tom—by phone once a month and what became after a time an annual visit to Sydney in midwinter, and then, as his reputation grew and he travelled to Sydney more frequently—that special closeness that siblings sometimes have. It was an ease of company that allows for most things to be unsaid, for awkwardness and error to be entirely unimportant, and for that strange sense of a mysterious shared soul to be expressed through the most trivial of small talk. If beyond their blood relation they had almost nothing in common, Dorrigo Evans still increasingly felt with Tom that he was but one aspect of a larger thing, of which his brother was another, different but complementary part, and their meetings were not so much an assertion of self as a welcome dissolution of it in each other.

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About Richard Flanagan

Richard Miller Flanagan (born 1961) is an Australian writer, who won the 2014 Man Booker Prize for his novel The Narrow Road to the Deep North and the 2024 Baillie Gifford Prize for Question 7, making him the first writer in history to win both Britain's major fiction and non-fiction prizes.
Flanagan was described by the Washington Post as "one of our greatest living novelists".
"[C]onsidered by many to be the finest Australian novelist of his generation", according to The Economist, the New York Review of Books described Flanagan as "among the most versatile writers in the English language".
He has also worked as a film director and screenwriter.