Richard Flanagan Quote
And she would know that love is not goodness, and nor is it happiness....For Amy, love was the universe touching, exploding within one human being, and that person exploding into the universe. It was annihilation, the destroyer of worlds.And as she lay in bed feeling Keith silently sobbing behind her back, she understood that love does not end until all its power is exorcised in misery and cruelty and obliteration as much as in goodness and joy. And every night as she lay there, she could feel rolling in her stomach shards of broken glass - cutting, cutting, cutting.
Richard Flanagan
And she would know that love is not goodness, and nor is it happiness....For Amy, love was the universe touching, exploding within one human being, and that person exploding into the universe. It was annihilation, the destroyer of worlds.And as she lay in bed feeling Keith silently sobbing behind her back, she understood that love does not end until all its power is exorcised in misery and cruelty and obliteration as much as in goodness and joy. And every night as she lay there, she could feel rolling in her stomach shards of broken glass - cutting, cutting, cutting.
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About Richard Flanagan
Richard Miller Flanagan (born 1961) is an Australian writer, who won the 2014 Man Booker Prize for his novel The Narrow Road to the Deep North and the 2024 Baillie Gifford Prize for Question 7, making him the first writer in history to win both Britain's major fiction and non-fiction prizes.
Flanagan was described by the Washington Post as "one of our greatest living novelists".
"[C]onsidered by many to be the finest Australian novelist of his generation", according to The Economist, the New York Review of Books described Flanagan as "among the most versatile writers in the English language".
He has also worked as a film director and screenwriter.
Flanagan was described by the Washington Post as "one of our greatest living novelists".
"[C]onsidered by many to be the finest Australian novelist of his generation", according to The Economist, the New York Review of Books described Flanagan as "among the most versatile writers in the English language".
He has also worked as a film director and screenwriter.