Nora Ephron Quote
Everyone always asks, was he mad at you for writing the book? and I have to say, Yes, yes, he was. He still is. It is one of the most fascinating things to me about the whole episode: he cheated on me, and then got to behave as if he was the one who had been wronged because I wrote about it! I mean, it's not as if I wasn't a writer. It's not as if I hadn't often written about myself. I'd even written about him. What did he think was going to happen? That I would take a vow of silence for the first time in my life?
Nora Ephron
Everyone always asks, was he mad at you for writing the book? and I have to say, Yes, yes, he was. He still is. It is one of the most fascinating things to me about the whole episode: he cheated on me, and then got to behave as if he was the one who had been wronged because I wrote about it! I mean, it's not as if I wasn't a writer. It's not as if I hadn't often written about myself. I'd even written about him. What did he think was going to happen? That I would take a vow of silence for the first time in my life?
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About Nora Ephron
Ephron started her career writing the screenplays for Silkwood (1983), Heartburn (1986), and When Harry Met Sally... (1989), the last of which earned the BAFTA Award for Best Original Screenplay, and was ranked by the Writers Guild of America as the 40th greatest screenplay of all-time. She made her directorial film debut with comedy-drama This Is My Life (1992) followed by the romantic comedies Sleepless in Seattle (1993), Michael (1996), You've Got Mail (1998), Bewitched (2005), and the biographical film Julie & Julia (2009).
Ephron's first produced play, Imaginary Friends (2002), was honored as one of the ten best plays of the 2002–03 New York theatre season. She also co-authored the Drama Desk Award–winning theatrical production Love, Loss, and What I Wore. In 2013, Ephron received a posthumous Tony Award nomination for Best Play for Lucky Guy. She also wrote columns for Esquire, Cosmpolitan, and The New Yorker.