Nikolai Gogol Quote
And could a man sink to such triviality, such meanness, such nastiness? Could he change so much? And is it true to life? Yes, it is all true to life. All this can happen to a man. The ardent youth of today would start back in horror if you could show him his portrait in old age. As you pass from the soft years of youth into harsh, hardening manhood, be sure you take with you on the way all the humane emotions, do not leave them on the road: you will not pick them up again afterwards!
Nikolai Gogol
And could a man sink to such triviality, such meanness, such nastiness? Could he change so much? And is it true to life? Yes, it is all true to life. All this can happen to a man. The ardent youth of today would start back in horror if you could show him his portrait in old age. As you pass from the soft years of youth into harsh, hardening manhood, be sure you take with you on the way all the humane emotions, do not leave them on the road: you will not pick them up again afterwards!
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About Nikolai Gogol
Gogol used grotesque, for example in his works "The Nose", "Viy", "The Overcoat", and "Nevsky Prospekt". These stories, and others such as "Diary of a Madman", have also been noted for their proto-surrealist qualities. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore. His later writing satirised political corruption in contemporary Russia (The Government Inspector, Dead Souls), although Gogol also enjoyed the patronage of Tsar Nicholas I who liked his work. The novel Taras Bulba (1835), the play Marriage (1842), and the short stories "The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich", "The Portrait" and "The Carriage", are also among his best-known works.
Many writers and critics have recognized Gogol's huge influence on Russian, Ukrainian and world literature. Gogol's influence was acknowledged by Fyodor Dostoevsky, Mikhail Saltykov-Shchedrin, Ryūnosuke Akutagawa, Franz Kafka, Mikhail Bulgakov, Vladimir Nabokov, Flannery O'Connor and others. Eugène-Melchior de Vogüé said: "We all came out from under Gogol's Overcoat."