Mohsin Hamid Quote

The maid was of an age at which men had stopped seeing her. She had had the body of a woman when she was still a girl, when she was married off, so young, and her body had ripened further after she birthed and nursed her child, and men had once paused to look at her, not at her face, but at her figure, and she had often been alarmed by those looks, in part because of the danger in them, and in part because she knew how they changed when she was revealed to be mute, and so the end of being seen was mostly a relief. Mostly, almost entirely, yet not entirely, for life had given the maid no space for the luxuries of vanity, but even so, she was human.

Mohsin Hamid

The maid was of an age at which men had stopped seeing her. She had had the body of a woman when she was still a girl, when she was married off, so young, and her body had ripened further after she birthed and nursed her child, and men had once paused to look at her, not at her face, but at her figure, and she had often been alarmed by those looks, in part because of the danger in them, and in part because she knew how they changed when she was revealed to be mute, and so the end of being seen was mostly a relief. Mostly, almost entirely, yet not entirely, for life had given the maid no space for the luxuries of vanity, but even so, she was human.

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About Mohsin Hamid

Mohsin Hamid (Urdu: محسن حامد; born 23 July 1971) is a British Pakistani novelist, writer and brand consultant. His novels are Moth Smoke (2000), The Reluctant Fundamentalist (2007), How to Get Filthy Rich in Rising Asia (2013), Exit West (2017), and The Last White Man (2022).