Mark Z. Danielewski Quote
There once was a poor man who walked around without shoes. His feet were covered in calluses. One day a rich man felt sorry for the poor man and bought him a pair of Nikes. The poor man was extremely grateful and wore the shoes constantly.Well after a year or so, the shoes fell apart. So the poor man had to go back to running around barefoot, only now all his calluses were gone and his feet got all cut up and soon the cuts became infected and the man got sick and eventually, after they cut off his legs, he died.I call that particular story Love, Death & Nikes. A real cheer me up story for Mr. Monster. That's right! All for you. Oh and something else: fuck you Mr. Monster.
Mark Z. Danielewski
There once was a poor man who walked around without shoes. His feet were covered in calluses. One day a rich man felt sorry for the poor man and bought him a pair of Nikes. The poor man was extremely grateful and wore the shoes constantly.Well after a year or so, the shoes fell apart. So the poor man had to go back to running around barefoot, only now all his calluses were gone and his feet got all cut up and soon the cuts became infected and the man got sick and eventually, after they cut off his legs, he died.I call that particular story Love, Death & Nikes. A real cheer me up story for Mr. Monster. That's right! All for you. Oh and something else: fuck you Mr. Monster.
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About Mark Z. Danielewski
Danielewski began work on a 27-volume series, The Familiar, although he completed only five volumes before halting the project in 2017.
Danielewski's work is characterized by an intricate, multi-layered typographical variation, or page layout, which he refers to as "signiconic". Sometimes known as visual writing, the typographical variation corresponds directly, at any given narratological point in time, to the physical space of the events in the fictional world as well as the physical space of the page and the reader. Early on, critics characterized his writing as being ergodic literature, and Danielewski has described his style as:Signiconic = sign + icon. Rather than engage those textual faculties of the mind remediating the pictorial or those visual faculties remediating language, the signiconic simultaneously engages both in order to lessen the significance of both and therefore achieve a third perception no longer dependent on sign and image for remediating a world in which the mind plays no part."