Margaret Atwood Quote

The Loneliness of the Military HistorianConfess: it's my professionthat alarms you.This is why few people ask me to dinner,though Lord knows I don't go out of my way to be scary.I wear dresses of sensible cutand unalarming shades of beige,I smell of lavender and go to the hairdresser's:no prophetess mane of mine,complete with snakes, will frighten the youngsters.If I roll my eyes and mutter,if I clutch at my heart and scream in horrorlike a third-rate actress chewing up a mad scene,I do it in private and nobody seesbut the bathroom mirror.In general I might agree with you:women should not contemplate war,should not weigh tactics impartially,or evade the word ,or view both sides and denounce nothing.Women should march for peace,or hand out white feathers to arouse bravery,spit themselves on bayonetsto protect their babies,whose skulls will be split anyway,or,having been raped repeatedly,hang themselves with their own hair.There are the functions that inspire general comfort.That, and the knitting of socks for the troopsand a sort of moral cheerleading.Also: mourning the dead.Sons,lovers and so forth.All the killed children.Instead of this, I tellwhat I hope will pass as truth.A blunt thing, not lovely.The truth is seldom welcome,especially at dinner,though I am good at what I do.My trade is courage and atrocities.I look at them and do not condemn.I write things down the way they happened,as near as can be remembered.I don't ask , because it is mostly the same.Wars happen because the ones who start themthink they can win.In my dreams there is glamour.The Vikings leave their fieldseach year for a few months of killing and plunder,much as the boys go hunting.In real life they were farmers.The come back loaded with splendour.The Arabs ride against Crusaderswith scimitars that could seversilk in the air.A swift cut to the horse's neckand a hunk of armour crashes downlike a tower. Fire against metal.A poet might say: romance against banality.When awake, I know better.Despite the propaganda, there are no monsters,or none that could be finally buried.Finish one off, and circumstancesand the radio create another.Believe me: whole armies have prayed ferventlyto God all night and meant it,and been slaughtered anyway.Brutality wins frequently,and large outcomes have turned on the inventionof a mechanical device, viz. radar.True, valour sometimes counts for something,as at Thermopylae. Sometimes being right -though ultimate virtue, by agreed tradition,is decided by the winner.Sometimes men throw themselves on grenadesand burst like paper bags of gutsto save their comrades.I can admire that.But rats and cholera have won many wars.Those, and potatoes,or the absence of them.It's no use pinning all those medalsacross the chests of the dead.Impressive, but I know too much.Grand exploits merely depress me.In the interests of researchI have walked on many battlefieldsthat once were liquid with pulpedmen's bodies and spangled with explodedshells and splayed bone.All of them have been green againby the time I got there.Each has inspired a few good quotes in its day.Sad marble angels brood like hensover the grassy nests where nothing hatches.(The angels could just as well be described as or , depending on camera angle.)The word figures a lot on gateways.Of course I pick a flower or twofrom each, and press it in the hotel Biblefor a souvenir.I'm just as human as you. But it's no use asking me for a final statement.As I say, I deal in tactics.Also statistics:for every year of peace there have been four hundredyears of war.

Margaret Atwood

The Loneliness of the Military HistorianConfess: it's my professionthat alarms you.This is why few people ask me to dinner,though Lord knows I don't go out of my way to be scary.I wear dresses of sensible cutand unalarming shades of beige,I smell of lavender and go to the hairdresser's:no prophetess mane of mine,complete with snakes, will frighten the youngsters.If I roll my eyes and mutter,if I clutch at my heart and scream in horrorlike a third-rate actress chewing up a mad scene,I do it in private and nobody seesbut the bathroom mirror.In general I might agree with you:women should not contemplate war,should not weigh tactics impartially,or evade the word ,or view both sides and denounce nothing.Women should march for peace,or hand out white feathers to arouse bravery,spit themselves on bayonetsto protect their babies,whose skulls will be split anyway,or,having been raped repeatedly,hang themselves with their own hair.There are the functions that inspire general comfort.That, and the knitting of socks for the troopsand a sort of moral cheerleading.Also: mourning the dead.Sons,lovers and so forth.All the killed children.Instead of this, I tellwhat I hope will pass as truth.A blunt thing, not lovely.The truth is seldom welcome,especially at dinner,though I am good at what I do.My trade is courage and atrocities.I look at them and do not condemn.I write things down the way they happened,as near as can be remembered.I don't ask , because it is mostly the same.Wars happen because the ones who start themthink they can win.In my dreams there is glamour.The Vikings leave their fieldseach year for a few months of killing and plunder,much as the boys go hunting.In real life they were farmers.The come back loaded with splendour.The Arabs ride against Crusaderswith scimitars that could seversilk in the air.A swift cut to the horse's neckand a hunk of armour crashes downlike a tower. Fire against metal.A poet might say: romance against banality.When awake, I know better.Despite the propaganda, there are no monsters,or none that could be finally buried.Finish one off, and circumstancesand the radio create another.Believe me: whole armies have prayed ferventlyto God all night and meant it,and been slaughtered anyway.Brutality wins frequently,and large outcomes have turned on the inventionof a mechanical device, viz. radar.True, valour sometimes counts for something,as at Thermopylae. Sometimes being right -though ultimate virtue, by agreed tradition,is decided by the winner.Sometimes men throw themselves on grenadesand burst like paper bags of gutsto save their comrades.I can admire that.But rats and cholera have won many wars.Those, and potatoes,or the absence of them.It's no use pinning all those medalsacross the chests of the dead.Impressive, but I know too much.Grand exploits merely depress me.In the interests of researchI have walked on many battlefieldsthat once were liquid with pulpedmen's bodies and spangled with explodedshells and splayed bone.All of them have been green againby the time I got there.Each has inspired a few good quotes in its day.Sad marble angels brood like hensover the grassy nests where nothing hatches.(The angels could just as well be described as or , depending on camera angle.)The word figures a lot on gateways.Of course I pick a flower or twofrom each, and press it in the hotel Biblefor a souvenir.I'm just as human as you. But it's no use asking me for a final statement.As I say, I deal in tactics.Also statistics:for every year of peace there have been four hundredyears of war.

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About Margaret Atwood

Margaret Eleanor Atwood (born November 18, 1939) is a Canadian poet, novelist, literary critic, essayist, teacher, environmental activist, and inventor. Since 1961, she has published 18 books of poetry, 18 novels, 11 books of nonfiction, nine collections of short fiction, eight children's books, two graphic novels, and a number of small press editions of both poetry and fiction. Atwood has won numerous awards and honors for her writing, including two Booker Prizes, the Arthur C. Clarke Award, the Governor General's Award, the Franz Kafka Prize, Princess of Asturias Awards, and the National Book Critics and PEN Center USA Lifetime Achievement Awards. A number of her works have been adapted for film and television.
Atwood's works encompass a variety of themes including gender and identity, religion and myth, the power of language, climate change, and "power politics". Many of her poems are inspired by myths and fairy tales which interested her from a very early age.

Atwood is a founder of the Griffin Poetry Prize and the Writers' Trust of Canada. She is also a Senior Fellow of Massey College, Toronto. She is the inventor of the LongPen device and associated technologies that facilitate remote robotic writing of documents.