John Howard Griffin Quote

The great danger in the South comes precisely from the fact that the public is not informed. Newspapers shirk notoriously their editorial responsibilities and print what they think their readers want. They lean with the prevailing winds and employ every fallacy of logic in order to editorialize harmoniously with popular prejudices. They also keep a close eye on possible economic reprisals from the Councils and the Klans, plus other superpatriotic groups who bring pressure to bear on the newspapers’ advertisers. In addition, most adhere to the long-standing conspiracy of silence about anything remotely favorable to the Negro. His achievements are carefully excluded or, when they demand attention, are handled with the greatest care to avoid the impression that anything good the individual Negro does is typical of his race.

John Howard Griffin

The great danger in the South comes precisely from the fact that the public is not informed. Newspapers shirk notoriously their editorial responsibilities and print what they think their readers want. They lean with the prevailing winds and employ every fallacy of logic in order to editorialize harmoniously with popular prejudices. They also keep a close eye on possible economic reprisals from the Councils and the Klans, plus other superpatriotic groups who bring pressure to bear on the newspapers’ advertisers. In addition, most adhere to the long-standing conspiracy of silence about anything remotely favorable to the Negro. His achievements are carefully excluded or, when they demand attention, are handled with the greatest care to avoid the impression that anything good the individual Negro does is typical of his race.

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About John Howard Griffin

John Howard Griffin (June 16, 1920 – September 9, 1980) was an American journalist and author from Texas who wrote about and championed racial equality. He is best known for his 1959 project to temporarily pass as a black man and journey through the Deep South in order to see life and segregation from the other side of the color line first-hand. He first published a series of articles on his experience in Sepia magazine, which had underwritten the project, then later published an expanded account in book form, under the title Black Like Me (1961). This was later adapted into a 1964 film of the same name. A 50th anniversary edition of the book was published in 2011 by Wings Press.