John Banville Quote

Years ago, he shaved off his beard, without telling her, just appeared at the breakfast table one morning with half his face missing, or so it seemed to her in the first, shocked moment of seeing him. If she had met him in the street she would not have recognised him, except for his eyes. How strange he looked, grotesque, almost, with those indecently naked cheeks and the chin flat and square like the blunt edge of a stone axe. It was as if the top part of his head had been taken off and carved and trimmed and jammed down into the scooped-out jaws of a stranger. She almost wept, but he went on eating his toast as if nothing had happened. He had bought a cut-throat razor with an ivory handle, an antique thing from the last century; he showed it to her in its black velvet box lined with scarlet satin. She could not look at it without a shiver. He liked to show off his skill with it, and would leave the bathroom door open so she could admire the deft way he wielded the dangerous, gleaming thing, holding it at an elegant angle between fingertips and thumb, his little finger fastidiously crooked, and sweeping the blade raspingly through the snow-like foam. Harsh light above the bath and the steely shine of the mirror and one dark, humorously cocked eye glancing at her sideways from the glass. Where is it now, she wonders, that razor? In a week or two he got tired of using it and let his beard grow back.

John Banville

Years ago, he shaved off his beard, without telling her, just appeared at the breakfast table one morning with half his face missing, or so it seemed to her in the first, shocked moment of seeing him. If she had met him in the street she would not have recognised him, except for his eyes. How strange he looked, grotesque, almost, with those indecently naked cheeks and the chin flat and square like the blunt edge of a stone axe. It was as if the top part of his head had been taken off and carved and trimmed and jammed down into the scooped-out jaws of a stranger. She almost wept, but he went on eating his toast as if nothing had happened. He had bought a cut-throat razor with an ivory handle, an antique thing from the last century; he showed it to her in its black velvet box lined with scarlet satin. She could not look at it without a shiver. He liked to show off his skill with it, and would leave the bathroom door open so she could admire the deft way he wielded the dangerous, gleaming thing, holding it at an elegant angle between fingertips and thumb, his little finger fastidiously crooked, and sweeping the blade raspingly through the snow-like foam. Harsh light above the bath and the steely shine of the mirror and one dark, humorously cocked eye glancing at her sideways from the glass. Where is it now, she wonders, that razor? In a week or two he got tired of using it and let his beard grow back.

Tags: beardless, coma, razor

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About John Banville

William John Banville (born 8 December 1945) is an Irish novelist, short story writer, adapter of dramas and screenwriter. Though he has been described as "the heir to Proust, via Nabokov", Banville himself maintains that W. B. Yeats and Henry James are the two real influences on his work.
Banville has won the 1976 James Tait Black Memorial Prize, the 2003 International Nonino Prize, the 2005 Booker Prize, the 2011 Franz Kafka Prize, the 2013 Austrian State Prize for European Literature and the 2014 Prince of Asturias Award for Literature. He was elected a Fellow of the Royal Society of Literature in 2007. Italy made him a Cavaliere of the Ordine della Stella d'Italia (essentially a knighthood) in 2017. He is a former member of Aosdána, having voluntarily relinquished the financial stipend in 2001 to another, more impoverished, writer.
Banville was born and grew up in Wexford town in south-east Ireland. He published his first novel, Nightspawn, in 1971. A second, Birchwood, followed two years later. "The Revolutions Trilogy", published between 1976 and 1982, comprises three works, each named in reference to a renowned scientist: Doctor Copernicus, Kepler and The Newton Letter. His next work, Mefisto, had a mathematical theme. His 1989 novel The Book of Evidence, shortlisted for the Booker Prize and winner of that year's Guinness Peat Aviation award, heralded a second trilogy, three works which deal in common with the work of art. "The Frames Trilogy" is completed by Ghosts and Athena, both published during the 1990s. Banville's thirteenth novel, The Sea, won the Booker Prize in 2005. In addition, he publishes crime novels as Benjamin Black — most of these feature the character of Quirke, an Irish pathologist based in Dublin.
Banville is considered a contender for the Nobel Prize in Literature. He lives in Dublin.