James Baldwin Quote
If you have been watching television lately, I think this is unendurably clear in the faces of those screaming people in the South, who are quite incapable of telling you what it is they are afraid of. They do not really know what it is they are afraid of, but they know they are afraid of something, and they are so frightened that they are nearly out of their minds. And this same fear obtains on one level or another, to varying degrees, throughout the entire country. We would never, never allow Negroes to starve, to grow bitter, and to die in ghettos all over the country if we were not driven by some nameless fear that has nothing to do with Negroes. We would never victimize, as we do, children whose only crime is color and keep them, as we put it, in their place. We wouldn’t drive Negroes mad as we do by accepting them in ball parks, and on concert stages, but not in our homes and not in our neighborhoods, and not in our churches. It is only too clear that even with the most malevolent will in the world Negroes can never manage to achieve one-tenth of the harm which we fear.
If you have been watching television lately, I think this is unendurably clear in the faces of those screaming people in the South, who are quite incapable of telling you what it is they are afraid of. They do not really know what it is they are afraid of, but they know they are afraid of something, and they are so frightened that they are nearly out of their minds. And this same fear obtains on one level or another, to varying degrees, throughout the entire country. We would never, never allow Negroes to starve, to grow bitter, and to die in ghettos all over the country if we were not driven by some nameless fear that has nothing to do with Negroes. We would never victimize, as we do, children whose only crime is color and keep them, as we put it, in their place. We wouldn’t drive Negroes mad as we do by accepting them in ball parks, and on concert stages, but not in our homes and not in our neighborhoods, and not in our churches. It is only too clear that even with the most malevolent will in the world Negroes can never manage to achieve one-tenth of the harm which we fear.
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About James Baldwin
Baldwin's fiction posed fundamental personal questions and dilemmas amid complex social and psychological pressures. Themes of masculinity, sexuality, race, and class intertwine to create intricate narratives that influenced both the civil rights movement and the gay liberation movement in mid-twentieth century America. His protagonists are often but not exclusively African-American; gay and bisexual men feature prominently in his work (as in his 1956 novel Giovanni's Room). His characters typically face internal and external obstacles in their search for self- and social acceptance.
Baldwin's work continues to influence artists and writers. His unfinished manuscript Remember This House was expanded and adapted as the 2016 documentary film I Am Not Your Negro, winning the BAFTA Award for Best Documentary. His 1974 novel If Beale Street Could Talk was adapted into a 2018 film of the same name, which earned widespread praise.