J. G. Ballard Quote

The future is going to be boring. The suburbanisation of the planet will continue, and the suburbanisation of the soul will follow soon after.

J. G. Ballard

The future is going to be boring. The suburbanisation of the planet will continue, and the suburbanisation of the soul will follow soon after.

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About J. G. Ballard

James Graham Ballard (15 November 1930 – 19 April 2009) was an English novelist, short story writer, satirist, and essayist known for provocative works of fiction which explored the relations between human psychology, technology, sex, and mass media. He first became associated with the New Wave of science fiction for post-apocalyptic novels such as The Drowned World (1962), but later courted controversy for works such as the experimental short story collection The Atrocity Exhibition (1970), which included the 1968 story "Why I Want to Fuck Ronald Reagan", and the novel Crash (1973), a story about a renegade group of car crash fetishists.
In 1984, Ballard won broader recognition for his war novel Empire of the Sun, a semi-autobiographical account of a young British boy's experiences in Shanghai during Japanese occupation; the story was adapted into a 1987 film directed by Steven Spielberg. The author's journey from youth to mid-age would be chronicled, with fictional inflections, in The Kindness of Women (1991) and in direct autobiography in Miracles of Life (2008). Several of his earlier works have been adapted into films, including David Cronenberg's controversial 1996 adaptation Crash and Ben Wheatley's 2015 adaptation of Ballard's 1975 novel High-Rise.
The literary distinctiveness of Ballard's fiction has given rise to the adjective "Ballardian", defined by the Collins English Dictionary as "resembling or suggestive of the conditions described in J. G. Ballard's novels and stories, especially dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social or environmental developments". The Oxford Dictionary of National Biography entry describes Ballard's work as being occupied with "Eros, Thanatos, mass media and emergent technologies".