Haruki Murakami Quote

He wasn't so bad when the two of us came to see you, though. He was just his usual self.Because you were there, said Naoko. He was always like that around you. He struggled to keep his weaknesses hidden. I'm sure he was very fond of you. He made a point of letting you see only his best side. He wasn't like that with me. He'd let his guard down. He could be really moody. One minute he'd be chattering away, and the next thing he'd be depressed. It happened all the time. He was like that from the time he was little. He did keep trying to change himself, to improve himself, though.Naoko recrossed her legs atop the sofa.He tried hard, but it didn't do any good, and that would make him really angry and sad. There was so much about him that was fine and beautiful, but he could never find the confidence he needed. I've got to do that, I've got to change this, he was always thinking, right up to the end. Poor Kizuki!Still though, I said, if it's true that he was always struggling to show me his best side, I'd say he succeeded. His best side was all that I could see.Naoko smiled. He'd be thrilled to hear you say that. You were his only friend.

Haruki Murakami

He wasn't so bad when the two of us came to see you, though. He was just his usual self.Because you were there, said Naoko. He was always like that around you. He struggled to keep his weaknesses hidden. I'm sure he was very fond of you. He made a point of letting you see only his best side. He wasn't like that with me. He'd let his guard down. He could be really moody. One minute he'd be chattering away, and the next thing he'd be depressed. It happened all the time. He was like that from the time he was little. He did keep trying to change himself, to improve himself, though.Naoko recrossed her legs atop the sofa.He tried hard, but it didn't do any good, and that would make him really angry and sad. There was so much about him that was fine and beautiful, but he could never find the confidence he needed. I've got to do that, I've got to change this, he was always thinking, right up to the end. Poor Kizuki!Still though, I said, if it's true that he was always struggling to show me his best side, I'd say he succeeded. His best side was all that I could see.Naoko smiled. He'd be thrilled to hear you say that. You were his only friend.

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About Haruki Murakami

Haruki Murakami (村上 春樹, Murakami Haruki, born January 12, 1949) is a Japanese writer. His novels, essays, and short stories have been best-sellers in Japan and internationally, with his work translated into 50 languages and having sold millions of copies outside Japan. He has received numerous awards for his work, including the Gunzo Prize for New Writers, the World Fantasy Award, the Frank O'Connor International Short Story Award, the Franz Kafka Prize, the Jerusalem Prize and the Princess of Asturias Awards.
Growing up in Ashiya near Kobe before moving to Tokyo to attend Waseda University, he published his first novel Hear the Wind Sing (1979) after working as the owner of a small jazz bar for seven years. His notable works include the novels Norwegian Wood (1987), The Wind-Up Bird Chronicle (1994–95), Kafka on the Shore (2002) and 1Q84 (2009–10); the last was ranked as the best work of Japan's Heisei era (1989–2019) by the national newspaper Asahi Shimbun's survey of literary experts. His work spans genres including science fiction, fantasy, and crime fiction, and has become known for its use of magical realist elements. His official website cites Raymond Chandler, Kurt Vonnegut and Richard Brautigan as key inspirations to his work, while Murakami himself has named Kazuo Ishiguro, Cormac McCarthy and Dag Solstad as his favourite currently active writers. Murakami has also published five short story collections, including First Person Singular (2020), and non-fiction works including Underground (1997), an oral history of the Tokyo subway sarin attack, and What I Talk About When I Talk About Running (2007), a memoir about his experience as a long distance runner.
His fiction has polarized literary critics and the reading public. He has sometimes been criticised by Japan's literary establishment as un-Japanese, leading to Murakami's recalling that he was a "black sheep in the Japanese literary world". Meanwhile, Murakami has been described by Gary Fisketjon, the editor of Murakami's collection The Elephant Vanishes (1993), as a "truly extraordinary writer", while Steven Poole of The Guardian praised Murakami as "among the world's greatest living novelists" for his oeuvre.