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Gustave Flaubert Quote

In de muziekles zong zij liedjes over niets dan engeltjes met gouden vleugels, madonna's, meren, gondeliers: rimpelloze romances die haar tussen de beuzelachtige woorden en de onbeholpen klanken door een korte blik vergunden op de betoverende wereld van de werkelijke sentimenten.

Gustave Flaubert

In de muziekles zong zij liedjes over niets dan engeltjes met gouden vleugels, madonna's, meren, gondeliers: rimpelloze romances die haar tussen de beuzelachtige woorden en de onbeholpen klanken door een korte blik vergunden op de betoverende wereld van de werkelijke sentimenten.

Tags: madame bovary

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One's duty is to feel what is great, cherish the beautiful, and not accept all the conventions of society with the ignominy that it imposes upon us.

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Ma che importanza aveva! Non era felice, non lo era mai stata. Da dove veniva, dunque, quella insufficienza di vita, quella istantanea marcescenza delle cose a cui si appoggiava?… Ma se da qualche par...

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Desiderava al tempo stesso morire e vivere a Parigi.

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Desiderava al tempo stesso morire e vivere a Parigi.

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Dar cum sa vorbesti despre un rau care nu poate fi descris,care isi schimba infatisarea ca norii, care se involbureaza ca vantul?

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Dar cum sa vorbesti despre un rau care nu poate fi descris,care isi schimba infatisarea ca norii, care se involbureaza ca vantul?

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One thinks of nothing,’ he continued; ‘the hours slip by. Motionless we traverse countries we fancy we see, and your thought, blinding with the fiction, playing with the details, follows the outline o...

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One thinks of nothing,’ he continued; ‘the hours slip by. Motionless we traverse countries we fancy we see, and your thought, blinding with the fiction, playing with the details, follows the outline o...

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She loved the sea for its storms alone, cared for vegetation only when it grew here and there among ruins. She had to extract a kind of personal advantage from things and she rejected as useless every...

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She loved the sea for its storms alone, cared for vegetation only when it grew here and there among ruins. She had to extract a kind of personal advantage from things and she rejected as useless every...

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Liefdes' adem was getogen door de mazen van het weefsel; in iedere steek van de naald had zich een verwachting of een herinnering vastgelegd; en al die dooreengewerkte zijden draden waren één groot ge...

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Liefdes' adem was getogen door de mazen van het weefsel; in iedere steek van de naald had zich een verwachting of een herinnering vastgelegd; en al die dooreengewerkte zijden draden waren één groot ge...

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Madame Bovary was nog nooit zo mooi geweest als nu; zij bezat de raadselachtige schoonheid die uit vreugde, geestdrift en succes voortspruit, een schoonheid die ontstaat wanneer de aard van het wezen...

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Madame Bovary was nog nooit zo mooi geweest als nu; zij bezat de raadselachtige schoonheid die uit vreugde, geestdrift en succes voortspruit, een schoonheid die ontstaat wanneer de aard van het wezen...

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Le charme de la nouveauté, peu à peu tombant comme un vêtement, laissait voir à nu l'éternelle monotonie de la passion, qui a toujours les mêmes formes et le même langage.

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Le charme de la nouveauté, peu à peu tombant comme un vêtement, laissait voir à nu l'éternelle monotonie de la passion, qui a toujours les mêmes formes et le même langage.

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About Gustave Flaubert

Gustave Flaubert (UK: FLOH-bair, US: floh-BAIR, French: [ɡystav flobɛʁ]; 12 December 1821 – 8 May 1880) also known as Flambert, was a French novelist. He has been considered the leading exponent of literary realism in his country and abroad. According to the literary theorist Kornelije Kvas, "in Flaubert, realism strives for formal perfection, so the presentation of reality tends to be neutral, emphasizing the values and importance of style as an objective method of presenting reality". He is known especially for his debut novel Madame Bovary (1857), his Correspondence, and his scrupulous devotion to his style and aesthetics. The celebrated short story writer Guy de Maupassant was a protégé of Flaubert.