Graham Greene Quote
He went upstairs and opened the telegram; it was addressed to a department in the British Consulate, and the figures which followed had an ugly look like the lottery tickets that remained unsold on the last day of a draw. There was 2674 and then a string of five-figure numerals: 42811 79145 72312 59200 80947 62533 10605 and so on. It was his first telegram and he noticed that it was addressed from London. He was not even certain (so long ago his lesson seemed) that he could decode it, but he recognised a single group, 59200, which had an abrupt and monitory appearance as though Hawthorne that moment had come accusingly up the stairs. Gloomily he took down Lamb's 'Tales from Shakespeare' - how he had always detested Elia and the essay on Roast Pork. The first group of figures, he remembered, indicated the page, the line and the word with which the coding began. 'Dionysia, the wicked wife of Cleon,' he read, 'met with an end proportionable to her deserts'. He began to decode from 'deserts'. To his surprise something really did emerge. It was rather as though some strange inherited parrot had begun to speak.
He went upstairs and opened the telegram; it was addressed to a department in the British Consulate, and the figures which followed had an ugly look like the lottery tickets that remained unsold on the last day of a draw. There was 2674 and then a string of five-figure numerals: 42811 79145 72312 59200 80947 62533 10605 and so on. It was his first telegram and he noticed that it was addressed from London. He was not even certain (so long ago his lesson seemed) that he could decode it, but he recognised a single group, 59200, which had an abrupt and monitory appearance as though Hawthorne that moment had come accusingly up the stairs. Gloomily he took down Lamb's 'Tales from Shakespeare' - how he had always detested Elia and the essay on Roast Pork. The first group of figures, he remembered, indicated the page, the line and the word with which the coding began. 'Dionysia, the wicked wife of Cleon,' he read, 'met with an end proportionable to her deserts'. He began to decode from 'deserts'. To his surprise something really did emerge. It was rather as though some strange inherited parrot had begun to speak.
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About Graham Greene
Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted for the Nobel Prize in Literature several times. Through 67 years of writing, which included over 25 novels, he explored the conflicting moral and political issues of the modern world. The Power and the Glory won the 1941 Hawthornden Prize and The Heart of the Matter won the 1948 James Tait Black Memorial Prize and was shortlisted for the Best of the James Tait Black. Greene was awarded the 1968 Shakespeare Prize and the 1981 Jerusalem Prize. Several of his stories have been filmed, some more than once, and he collaborated with filmmaker Carol Reed on The Fallen Idol (1948) and The Third Man (1949).
He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic".
He died in 1991, aged 86, of leukemia, and was buried in Corseaux cemetery in Switzerland. William Golding called Greene "the ultimate chronicler of twentieth-century man's consciousness and anxiety". V. S. Pritchett called him "The most ingenious, inventive and exciting of our novelists, rich in exactly etched and moving portraits of real human beings and who understands the tragic and comic ironies of love, loyalty and belief."