Gore Vidal Quote
In passing, I continually marvel at how different today’s lawyers and politicians are from us of the first generation. We did not possess a single orator to compare with the present crop. Jefferson and Madison were inaudible. Monroe was dull. Hamilton rambled and I was far too dry (and brief) for the popular taste. Fisher Ames was the nearest thing we had to an orator (I never heard Patrick Henry). Today, however, practically every public man is now a marvellous orator—no, actor! capable of shouting down a tempest, causing tears to flow, laughter to rise. I cannot fathom the reason for this change unless it be the influence of a generation of evangelical ministers (Clay always makes me think of a preacher a-wash in the Blood of the Lamb who, even as he calls his flock to repent, is planning to seduce the lady in the back pew); and of course today’s politician must deal with a much larger electorate than ours. We had only to enchant a caucus in a conversational tone while they must thrill the multitude with brass and cymbal.
In passing, I continually marvel at how different today’s lawyers and politicians are from us of the first generation. We did not possess a single orator to compare with the present crop. Jefferson and Madison were inaudible. Monroe was dull. Hamilton rambled and I was far too dry (and brief) for the popular taste. Fisher Ames was the nearest thing we had to an orator (I never heard Patrick Henry). Today, however, practically every public man is now a marvellous orator—no, actor! capable of shouting down a tempest, causing tears to flow, laughter to rise. I cannot fathom the reason for this change unless it be the influence of a generation of evangelical ministers (Clay always makes me think of a preacher a-wash in the Blood of the Lamb who, even as he calls his flock to repent, is planning to seduce the lady in the back pew); and of course today’s politician must deal with a much larger electorate than ours. We had only to enchant a caucus in a conversational tone while they must thrill the multitude with brass and cymbal.
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About Gore Vidal
A grandson of U.S. Senator Thomas Gore, Vidal was born into an upper-class political family. As a political commentator and essayist, Vidal's primary focus was the history and society of the United States, especially how a militaristic foreign policy reduced the country to a decadent empire. His political and cultural essays were published in The Nation, the New Statesman, the New York Review of Books, and Esquire magazines. As a public intellectual, Gore Vidal's topical debates on sex, politics, and religion with other intellectuals and writers occasionally turned into quarrels with the likes of William F. Buckley Jr. and Norman Mailer.
As a novelist, Vidal explored the nature of corruption in public and private life. His style of narration evoked the time and place of his stories, and delineated the psychology of his characters. His third novel, The City and the Pillar (1948), offended the literary, political, and moral sensibilities of conservative book reviewers, the plot being about a dispassionately presented male homosexual relationship.
In the historical novel genre, Vidal recreated the imperial world of Julian the Apostate (r. AD 361–363) in Julian (1964). Julian was the Roman emperor who attempted to re-establish Roman polytheism to counter Christianity. In social satire, Myra Breckinridge (1968) explores the mutability of gender roles and sexual orientation as being social constructs established by social mores.: 94–100 In Burr (1973) and Lincoln (1984), both part of his Narratives of Empire series of novels, each protagonist is presented as "A Man of the People" and as "A Man" in a narrative exploration of how the public and private facets of personality affect the national politics of the United States.: 439 : 75–85