Georgette Heyer Quote

I didn’t sneer! said Juliana hastily. I’d no notion you behaved so dreadfully badly to her. You saidyou forced her aboard your yacht, but I never supposed that you really frightened her enough to makeher fire at you. You need not be in a rage with me for saying so, Dominic, but when I saw Mary atyour house she was so placid I made sure you’d not treated her so very brutally after all. Had you?Yes, said Vidal bluntly. He looked at Juliana. You think it was vastly romantic for Mary to becarried off by me, don’t you? You think you would enjoy it, and you cannot conceive how she shouldbe afraid, can you? Then think, my girl! Think a little! You are in my power at this moment, I mayremind you. What if I make you feel it? What if I say to start with that you shall eat your dinner, andforce it down your throat?Juliana shrank back from him involuntarily. Don’t, Vidal! Don’t come near me! she said, frightenedby the expression in his face.He laughed. Not so romantic, is it, Ju? And to force you to eat your dinner would be a small thingcompared with some other things I might force you to do. Sit down, I’m not going to touch you.She obeyed, eyeing him nervously. I—I wish I hadn’t come with you! she said.So did Mary, with more reason. But Mary would have died sooner than let me see that she was afraid.And Mary, my love, is not my cousin.

Georgette Heyer

I didn’t sneer! said Juliana hastily. I’d no notion you behaved so dreadfully badly to her. You saidyou forced her aboard your yacht, but I never supposed that you really frightened her enough to makeher fire at you. You need not be in a rage with me for saying so, Dominic, but when I saw Mary atyour house she was so placid I made sure you’d not treated her so very brutally after all. Had you?Yes, said Vidal bluntly. He looked at Juliana. You think it was vastly romantic for Mary to becarried off by me, don’t you? You think you would enjoy it, and you cannot conceive how she shouldbe afraid, can you? Then think, my girl! Think a little! You are in my power at this moment, I mayremind you. What if I make you feel it? What if I say to start with that you shall eat your dinner, andforce it down your throat?Juliana shrank back from him involuntarily. Don’t, Vidal! Don’t come near me! she said, frightenedby the expression in his face.He laughed. Not so romantic, is it, Ju? And to force you to eat your dinner would be a small thingcompared with some other things I might force you to do. Sit down, I’m not going to touch you.She obeyed, eyeing him nervously. I—I wish I hadn’t come with you! she said.So did Mary, with more reason. But Mary would have died sooner than let me see that she was afraid.And Mary, my love, is not my cousin.

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About Georgette Heyer

Georgette Heyer (; 16 August 1902 – 4 July 1974) was an English novelist and short-story writer, in both the Regency romance and detective fiction genres. Her writing career began in 1921, when she turned a story conceived for her ailing younger brother into the novel The Black Moth. In 1925 Heyer married George Ronald Rougier, a mining engineer. The couple spent several years living in Tanganyika Territory and Macedonia before returning to England in 1929. After her novel These Old Shades became popular despite its release during the General Strike, Heyer determined that publicity was not necessary for good sales. For the rest of her life she refused to grant interviews, telling a friend: "My private life concerns no one but myself and my family."
Heyer essentially established the historical romance genre and its subgenre Regency romance. Her Regencies were inspired by Jane Austen. To ensure accuracy, Heyer collected reference works and kept detailed notes on all aspects of Regency life. Whilst some critics thought the novels were too detailed, others considered the level of detail to be Heyer's greatest asset. Her meticulous nature was also evident in her historical novels; Heyer even recreated William the Conqueror's crossing into England for her novel The Conqueror.
Beginning in 1932 Heyer released one romance novel and one thriller each year. (See List of works by Georgette Heyer.) Her husband often provided basic outlines for the plots of her thrillers, leaving Heyer to develop character relationships and dialogue so as to bring the story to life. Although many critics describe Heyer's detective novels as unoriginal, others such as Nancy Wingate praise them "for their wit and comedy as well as for their well-woven plots".
Her success was sometimes clouded by problems with tax inspectors and alleged plagiarists. Heyer chose not to file lawsuits against the suspected literary thieves but tried multiple ways of minimizing her tax liability. Forced to put aside the works she called her "magnum opus" (a trilogy covering the House of Lancaster) to write more commercially successful works, Heyer eventually created a limited liability company to administer the rights to her novels. She was accused several times of providing an overly large salary for herself, and in 1966 she sold the company and the rights to seventeen of her novels to Booker-McConnell. Heyer continued writing until her death in July 1974. At that time 48 of her novels were still in print; her last book, My Lord John, was published posthumously.