G. K. Chesterton Quote
Modesty has moved from the organ of ambition. Modesty has settled upon the organ of conviction where it was never meant to be. A man was meant to be doubtful about himself, but undoubting about the truth: this has been exactly reversed. Nowadays the part of a man that a man does assert is exactly the part he ought not to assert-himself. The part he doubts is exactly the part he ought not to doubt - the Divine Reason... The old humility was a spur that prevented a man from stopping: not a nail in his boot that prevented him from going on. For the old humility made a man doubtful about his efforts, which might make him work harder. But the new humility makes a man doubtful about his aims, which will make him stop working altogether.
Modesty has moved from the organ of ambition. Modesty has settled upon the organ of conviction where it was never meant to be. A man was meant to be doubtful about himself, but undoubting about the truth: this has been exactly reversed. Nowadays the part of a man that a man does assert is exactly the part he ought not to assert-himself. The part he doubts is exactly the part he ought not to doubt - the Divine Reason... The old humility was a spur that prevented a man from stopping: not a nail in his boot that prevented him from going on. For the old humility made a man doubtful about his efforts, which might make him work harder. But the new humility makes a man doubtful about his aims, which will make him stop working altogether.
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About G. K. Chesterton
Chesterton created the fictional priest-detective Father Brown, and wrote on apologetics, such as his works Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an orthodox Christian, and came to identify this position more and more with Catholicism, eventually converting from high church Anglicanism. Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Newman and John Ruskin.
He has been referred to as the "prince of paradox". Of his writing style, Time observed: "Whenever possible, Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." His writings were an influence on Jorge Luis Borges, who compared his work with that of Edgar Allan Poe.