Let us look once more at Yeats. At bottom, he was sceptical about the nonsense with which he satisfied what we can call his lust for commitment. Now and again he believed some of it, but in so far as...
The books which seal off the long perspectives, which sever us from our losses, which represent the world of potency as a world of act, these are the books which, when the drug wears off, go on to the...
Apocalypse is a part of the modern Absurd. This is testimony to its vitality, a vitality dependent upon its truth to the set of our fear and desire. Acknowledged, qualified by the scepticism of the cl...
There may even be a real relation between certain kinds of effectiveness in literature and totalitarianism in politics. But although the fictions are alike ways of finding out about the human world, a...
Having compared the novel-reader with an infant and a primitive, one can go further and call him a psychopath; and this I shall shortly be doing.
For Aristotle the literary plot was analogous to the plot of the world in that both were eductions from the potency of matter. Sartre denies this for the world, and specifically denies, in the passage...
You sometimes hear people say, with a certain pride in their clerical resistance to the myth, that the nineteenth century really ended not in 1900 but in 1914. But there are different ways of measurin...
The great majority of interpretations of Apocalypse assume that the End is pretty near. Consequently the historical allegory is always having to be revised; time discredits it. And this is important....
In fact this desire for consonance in the apocalyptic data, and our tendency to be derisive about it, seem to me equally interesting. Each manifests itself, in the presence of the other, in most of ou...
IT is worth remembering that the rise of what we call literary fiction happened at a time when the revealed, authenticated account of the beginning was losing its authority. Now that changes in things...
But that there is a simple relation between literary and other fictions seems, if one attends to it, more obvious than has appeared. If we think first of modern fictions, it can hardly be an accident...
A sixteenth-century poet, especially one who knew that he ought to be a curious and universal scholar, would possess some notions, perhaps not strictly philosophical, about the origin of the world and...
The discords of our experience--delight in change, fear of change; the death of the individual and the survival of the species, the pains and pleasures of love, the knowledge of light and dark, the ex...
Literary Fiction and RealityTowards the beginning of his novel The Man Without Qualities, Robert Musil announces that 'no serious attempt will be made to... enter into competition with reality.' And y...
When tragedy established itself in England it did so in terms of plots and spectacle that had much more to do with medieval apocalypse than with the mythos and opsis of Aristotle. Later, tragedy itsel...
The formerly absolute distinction between time and eternity in Christian thought--between nunc movens with its beginning and end, and nunc stans, the perfect possession of endless life--acquired a thi...
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