Don DeLillo Quote
The kids are a guarantee of our relative longevity. We're safe as long as they're around. But once they get big and scatter, she wants to be the first to go. She is afraid I will die unexpectedly, sneakily, slipping away in the night. It isn't that she doesn't cherish life; it's being left alone that frightens her. The emptiness, the sense of cosmic darkness.Mastercard, Visa, American Express.I tell her I want to die first. I've gotten so used to her that I would feel miserably incomplete. We are two views of the same person. I would spend the rest of my life turning to speak to her. No one there, a hole in space and time.
Don DeLillo
The kids are a guarantee of our relative longevity. We're safe as long as they're around. But once they get big and scatter, she wants to be the first to go. She is afraid I will die unexpectedly, sneakily, slipping away in the night. It isn't that she doesn't cherish life; it's being left alone that frightens her. The emptiness, the sense of cosmic darkness.Mastercard, Visa, American Express.I tell her I want to die first. I've gotten so used to her that I would feel miserably incomplete. We are two views of the same person. I would spend the rest of my life turning to speak to her. No one there, a hole in space and time.
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About Don DeLillo
DeLillo was already a well-regarded cult writer in 1985, when the publication of White Noise brought him widespread recognition and the National Book Award for fiction. He followed this in 1988 with Libra, a novel about the assassination of John F. Kennedy. DeLillo won the PEN/Faulkner Award for Mao II, about terrorism and the media's scrutiny of writers' private lives, and the William Dean Howells Medal for Underworld, a historical novel that ranges in time from the dawn of the Cold War to the birth of the Internet. He was awarded the 1999 Jerusalem Prize, the 2010 PEN/Saul Bellow Award for Achievement in American Fiction in 2010, and the 2013 Library of Congress Prize for American Fiction.
DeLillo has described his themes as "living in dangerous times" and "the inner life of the culture". In a 2005 interview, he said that writers "must oppose systems. It's important to write against power, corporations, the state, and the whole system of consumption and of debilitating entertainments... I think writers, by nature, must oppose things, oppose whatever power tries to impose on us."