David Mamet Quote
In the sixties, the Commune emerged as a riposte to the nuclear family. This was an autonomic re-creation of not only preindustrial, but pre-agrarian life; it was the Return to Nature, but the Commune, like the colleges from which the idea reemerged, only functioned if Daddy was paying the bills, for the rejection of property can work only in subvention or in slavery. It is only in a summer camp (College or the hippie commune) that the enlightened live on the American Plan—room and board included prepaid—and one is free to frolic all day in the unspoiled woods.
David Mamet
In the sixties, the Commune emerged as a riposte to the nuclear family. This was an autonomic re-creation of not only preindustrial, but pre-agrarian life; it was the Return to Nature, but the Commune, like the colleges from which the idea reemerged, only functioned if Daddy was paying the bills, for the rejection of property can work only in subvention or in slavery. It is only in a summer camp (College or the hippie commune) that the enlightened live on the American Plan—room and board included prepaid—and one is free to frolic all day in the unspoiled woods.
Tags:
hippies, progressives
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About David Mamet
Feature films that Mamet both wrote and directed include House of Games (1987), Homicide (1991), The Spanish Prisoner (1997), and his biggest commercial success, Heist (2001). His screenwriting credits include The Postman Always Rings Twice (1981), The Verdict (1982), The Untouchables (1987), Hoffa (1992), Wag the Dog (1997), and Hannibal (2001). Mamet himself wrote the screenplay for the 1992 adaptation of Glengarry Glen Ross, and wrote and directed the 1994 adaptation of his play Oleanna (1992). He created and produced the CBS series The Unit (2006–2009).
Mamet's books include: On Directing Film (1991), a commentary and dialogue about film-making; The Old Religion (1997), a novel about the lynching of Leo Frank; Five Cities of Refuge: Weekly Reflections on Genesis, Exodus, Leviticus, Numbers and Deuteronomy (2004), a Torah commentary with Rabbi Lawrence Kushner; The Wicked Son (2006), a study of Jewish self-hatred and antisemitism; Bambi vs. Godzilla, a commentary on the movie business; The Secret Knowledge: On the Dismantling of American Culture (2011), a commentary on cultural and political issues; Three War Stories (2013), a trio of novellas about the physical and psychological effects of war; and Everywhere an Oink Oink: An Embittered, Dyspeptic, and Accurate Report of Forty Years in Hollywood (2023), an autobiographical account of his experiences in Hollywood.