Daphne du Maurier Quote

What a bore! Especially when the day had gone so well. She had no desire to read or listen to records. His taste would be like her father’s, old Peter Cheyneys and John Buchans, he used to read them over and over again. And music of the lighter sort, probably South Pacific. The steward brought in her tea, and this time there were cherry jam and scones, freshly baked, what’s more. She wolfed the lot. Then she pottered around the room, inspecting the shelves. No Peter Cheyney, no John Buchan, endless books on Ireland, which she expected anyway, Yeats forever, Synge, A.E., a volume on the Abbey Theatre.

Daphne du Maurier

What a bore! Especially when the day had gone so well. She had no desire to read or listen to records. His taste would be like her father’s, old Peter Cheyneys and John Buchans, he used to read them over and over again. And music of the lighter sort, probably South Pacific. The steward brought in her tea, and this time there were cherry jam and scones, freshly baked, what’s more. She wolfed the lot. Then she pottered around the room, inspecting the shelves. No Peter Cheyney, no John Buchan, endless books on Ireland, which she expected anyway, Yeats forever, Synge, A.E., a volume on the Abbey Theatre.

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About Daphne du Maurier

Dame Daphne du Maurier, Lady Browning, (; 13 May 1907 – 19 April 1989) was an English novelist, biographer and playwright. Her parents were actor-manager Sir Gerald du Maurier and his wife, actress Muriel Beaumont. Her grandfather was George du Maurier, a writer and cartoonist.
Although du Maurier is classed as a romantic novelist, her stories have been described as "moody and resonant" with overtones of the paranormal. Her bestselling works were not at first taken seriously by critics, but they have since earned an enduring reputation for narrative craft. Many have been successfully adapted into films, including the novels Rebecca, Frenchman's Creek, My Cousin Rachel and Jamaica Inn, and the short stories "The Birds" and "Don't Look Now". Du Maurier spent much of her life in Cornwall, where most of her works are set. As her fame increased, she became more reclusive.