Chuck Klosterman Quote

You want to know what I really learned? I learned that people don’t consider time alone as part of their life. Being alone is just a stretch of isolation they want to escape from. I saw a lot of wine-drinking, a lot of compulsive drug use, a lot of sleeping with the television on. It was less festive than I anticipated. My view had always been that I was my most alive when I was totally alone, because that was the only time I could live without fear of how my actions were being scrutinized and interpreted. What I came to realize is that people need their actions to be scrutinized and interpreted in order to feel like what they’re doing matters. Singular, solitary moments are like television pilots that never get aired. They don’t count. This, I think, explains the fundamental urge to get married and have kids[…]. We’re self-conditioned to require an audience, even if we’re not doing anything valuable or interesting. I’m sure this started in the 1970s. I know it did. I think Americans started raising offspring with this implicit notion that they had to tell their children, You’re amazing, you can do anything you want, you’re a special person. [...] But—when you really think about it—that emotional support only applies to the experience of living in public. We don’t have ways to quantify ideas like amazing or successful or lovable without the feedback of an audience. Nobody sits by himself in an empty room and thinks, I’m amazing. It’s impossible to imagine how that would work. But being amazing is supposed to be what life is about. As a result, the windows of time people spend by themselves become these meaningless experiences that don’t really count. It’s filler.

Chuck Klosterman

You want to know what I really learned? I learned that people don’t consider time alone as part of their life. Being alone is just a stretch of isolation they want to escape from. I saw a lot of wine-drinking, a lot of compulsive drug use, a lot of sleeping with the television on. It was less festive than I anticipated. My view had always been that I was my most alive when I was totally alone, because that was the only time I could live without fear of how my actions were being scrutinized and interpreted. What I came to realize is that people need their actions to be scrutinized and interpreted in order to feel like what they’re doing matters. Singular, solitary moments are like television pilots that never get aired. They don’t count. This, I think, explains the fundamental urge to get married and have kids[…]. We’re self-conditioned to require an audience, even if we’re not doing anything valuable or interesting. I’m sure this started in the 1970s. I know it did. I think Americans started raising offspring with this implicit notion that they had to tell their children, You’re amazing, you can do anything you want, you’re a special person. [...] But—when you really think about it—that emotional support only applies to the experience of living in public. We don’t have ways to quantify ideas like amazing or successful or lovable without the feedback of an audience. Nobody sits by himself in an empty room and thinks, I’m amazing. It’s impossible to imagine how that would work. But being amazing is supposed to be what life is about. As a result, the windows of time people spend by themselves become these meaningless experiences that don’t really count. It’s filler.

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About Chuck Klosterman

Charles John Klosterman (; born June 5, 1972) is an American author and essayist whose work focuses on American popular culture. He has been a columnist for Esquire and ESPN.com and wrote "The Ethicist" column for The New York Times Magazine. Klosterman is the author of twelve books, including two novels and the essay collection Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto. He was awarded the ASCAP Deems Taylor award for music criticism in 2002.