Charles de Lint Quote
When I first began my career I had one dictum that I set myself: to be paid for my work, but not to work for pay. Fame makes it that much easier to follow that maxim. He gave her a sharp look. At least it does so long as I recognize when I am beginning to paint the obvious, rather than painting what I must express. People would rather you did the same thing over and over again and it becomes very easy to fall into their trap—particularly when you’re young and hungry. But the more you do so, the nearer you are drawn to something you should not be a part of that homogeneity that is the death of any form of creative expression.
Charles de Lint
When I first began my career I had one dictum that I set myself: to be paid for my work, but not to work for pay. Fame makes it that much easier to follow that maxim. He gave her a sharp look. At least it does so long as I recognize when I am beginning to paint the obvious, rather than painting what I must express. People would rather you did the same thing over and over again and it becomes very easy to fall into their trap—particularly when you’re young and hungry. But the more you do so, the nearer you are drawn to something you should not be a part of that homogeneity that is the death of any form of creative expression.
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About Charles de Lint
Charles de Lint (born December 22, 1951) is a Canadian writer.
Primarily a writer of fantasy fiction, he has composed works of urban fantasy, contemporary magical realism, and mythic fiction. Along with authors like Terri Windling, Emma Bull, and John Crowley, de Lint during the 1980s pioneered and popularized the subgenre of urban fantasy. He writes novels, novellas, short stories, poetry]], and lyrics. His most famous works include: the Newford series of books (Dreams Underfoot, Widdershins, The Blue Girl, The Onion Girl, Moonlight and Vines, Someplace to be Flying, etc.), as well as Moonheart, The Mystery of Grace, The Painted Boy and A Circle of Cats (children's book illustrated by Charles Vess). His distinctive style of fantasy uses American folklore and European folklore; de Lint was influenced by many authors of mythology, folklore, and science fiction, including J. R. R. Tolkien, Lord Dunsany, William Morris, Mervyn Peake, James Branch Cabell, and E. R. Eddison. Some of his mythic fiction poetry can be found online on the Endicott Studio website.
As an essayist/critic/folklorist he writes book reviews for The Magazine of Fantasy & Science Fiction, has judged several literary awards, and has been a writer-in-residence for two public libraries.
Primarily a writer of fantasy fiction, he has composed works of urban fantasy, contemporary magical realism, and mythic fiction. Along with authors like Terri Windling, Emma Bull, and John Crowley, de Lint during the 1980s pioneered and popularized the subgenre of urban fantasy. He writes novels, novellas, short stories, poetry]], and lyrics. His most famous works include: the Newford series of books (Dreams Underfoot, Widdershins, The Blue Girl, The Onion Girl, Moonlight and Vines, Someplace to be Flying, etc.), as well as Moonheart, The Mystery of Grace, The Painted Boy and A Circle of Cats (children's book illustrated by Charles Vess). His distinctive style of fantasy uses American folklore and European folklore; de Lint was influenced by many authors of mythology, folklore, and science fiction, including J. R. R. Tolkien, Lord Dunsany, William Morris, Mervyn Peake, James Branch Cabell, and E. R. Eddison. Some of his mythic fiction poetry can be found online on the Endicott Studio website.
As an essayist/critic/folklorist he writes book reviews for The Magazine of Fantasy & Science Fiction, has judged several literary awards, and has been a writer-in-residence for two public libraries.