Unvarnished treatment of real people, especially literary figures, can still invite outrage from critics, while those same literary figures, skewering their family and friends in novel after novel, take refuge in high art.
Carl Rollyson
Unvarnished treatment of real people, especially literary figures, can still invite outrage from critics, while those same literary figures, skewering their family and friends in novel after novel, take refuge in high art.