Carl Rollyson Quote

Sensation Hunters (January 3, 1934), features Brennan as a stuttering waiter in a nightclub, whose scenes usually end before he can finish a sentence. Dressed in a short cutaway jacket with a lock of hair curled in the middle of his forehead, he is ridiculously slow on the uptake when he is addressed ironically by his employer—Hey, Handsome, Hey, Honey—as she brushes past him. Before he can say much, she is gone, leaving him to stare dumbly at the tray in his hands. This a typical example of the comic relief he brought to otherwise ordinary scenes, but in this case he also serves as a foil to the fast-paced world of showgirls, con artists, and pickpockets. In a way, Brennan became a specialist, employed to get scenes off to a fast start, or to make a snappy transition with just a little bit of the actor’s business—in this case straining for words that his impatient employer cannot bother to take in. His one moment of joy comes when several showgirls jostle him on their way to the stage, his one brush with stardom. And then he vanishes from the film, no longer of use to the plot.

Carl Rollyson

Sensation Hunters (January 3, 1934), features Brennan as a stuttering waiter in a nightclub, whose scenes usually end before he can finish a sentence. Dressed in a short cutaway jacket with a lock of hair curled in the middle of his forehead, he is ridiculously slow on the uptake when he is addressed ironically by his employer—Hey, Handsome, Hey, Honey—as she brushes past him. Before he can say much, she is gone, leaving him to stare dumbly at the tray in his hands. This a typical example of the comic relief he brought to otherwise ordinary scenes, but in this case he also serves as a foil to the fast-paced world of showgirls, con artists, and pickpockets. In a way, Brennan became a specialist, employed to get scenes off to a fast start, or to make a snappy transition with just a little bit of the actor’s business—in this case straining for words that his impatient employer cannot bother to take in. His one moment of joy comes when several showgirls jostle him on their way to the stage, his one brush with stardom. And then he vanishes from the film, no longer of use to the plot.

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About Carl Rollyson

Carl E. Rollyson is an American biographer and professor of journalism at Baruch College, City University of New York.