Adam Gopnik Quote

There is a book to be written, for instance, on small errors in subtitles. In the Fred Astaire musical Royal Wedding, for instance, the English girl he falls for, played by Sarah Churchill (daughter of Sir Winston), is engaged to an American, whom we never see but who’s called Hal—like Falstaff’s prince, like a good high Englishman. That English H, though, was completely inaudible to the French translator who did the subtitles, and so throughout the film the absent lover is referred to in the subtitles as Al—Al like a stagehand, Al like my grandfather. If you have the habit of print addiction, so that you are listening and reading at the same time, this guy Al keeps forcing his way into the movie. But what shall I say to Hal—that I have never loved him? Patricia says to Fred. Down below it says, Et Al—qu’est-ce que je vais lui dire?

Adam Gopnik

There is a book to be written, for instance, on small errors in subtitles. In the Fred Astaire musical Royal Wedding, for instance, the English girl he falls for, played by Sarah Churchill (daughter of Sir Winston), is engaged to an American, whom we never see but who’s called Hal—like Falstaff’s prince, like a good high Englishman. That English H, though, was completely inaudible to the French translator who did the subtitles, and so throughout the film the absent lover is referred to in the subtitles as Al—Al like a stagehand, Al like my grandfather. If you have the habit of print addiction, so that you are listening and reading at the same time, this guy Al keeps forcing his way into the movie. But what shall I say to Hal—that I have never loved him? Patricia says to Fred. Down below it says, Et Al—qu’est-ce que je vais lui dire?

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About Adam Gopnik

Adam Gopnik (born August 24, 1956) is an American writer and essayist. He is best known as a staff writer for The New Yorker, to which he has contributed non-fiction, fiction, memoir, and criticism since 1986.
He is the author of nine books, including Paris to the Moon, Through the Children's Gate, The King in the Window, and A Thousand Small Sanities: The Moral Adventure of Liberalism. In 2020, his essay "The Driver's Seat" was cited as the most-assigned piece of contemporary nonfiction in the English-language syllabus.