For some reason I can't explain, artist and musicians tend to look younger than our age. Being in music, you need this youthful sense of discovery and wonder for what you're doing and keep your imagin...
I hope I will always have the chance to play the violin.
The real architecture happens within the works themselves, and that was done by the composer. That's where the real skill is. In putting together a program, you're more a curator, but that's important...
The symphonies are the things that, as a soloist, I've not gotten to play. I used to travel the world playing concertos, and then I would sit and listen to the symphony.
We live in a very chaotic world that sometimes we - it just seems like a mess. One of the reasons why we listen to music, and to great classical music in particular, is that everything is in an order...
I always have loved the Stradivarius. My teacher, Josef Gingold, he had a Stradivarius. As a treat, he would put it under my chin and let me play a few notes, and I remember that feeling of the overto...
My teacher, Josef Gingold, a student of the French school, always loved the music of Saint-Saens and Henri Vieuxtemps and all the French repertoire.
Good conductors know when to let an orchestra lead itself. Ninety percent of what a conductor does comes in the rehearsal - the vision, the structure, the architecture.
Stradivarius, in particular, was the most amazing craftsman and one of the great artists and scientists that ever lived because he figured out something with the sound and the science of acoustics tha...
My whole life, I've been watching conductors. I was 7 the first time I played with a conductor. Seeing the ones that do it well, it's an amazing thing.
I want to do everything. That's my problem. Life is short, and I hate the idea of turning down anything. You never know what interesting experience might happen.
I think music should be the basis of an education, not just something you do once a week.
