T.S. Eliot Quote
Because I came to seeThat I should never have been a first-rate potter.I didn't have it in me. It's strange, isn't it, That a man should have a consuming passion To do something for which he lacks the capacity? Could a man be said to have a vocation To be a second-rate potter? To be, at best,A competent copier, possessed by the cravingTo create, when one is wholly uncreative?I don't think so. For I came to see, That I had always known, at the secret moments,That I didn't have it in me. There are occasionsWhen I am transported- a different person,Transfigured in the vision of some marvellous creation,And I feel what the man must have felt when he made it.But nothing I made ever gave me that contentment-That state of utter exhaustion and peaceWhich comes in dying to give something life...
Because I came to seeThat I should never have been a first-rate potter.I didn't have it in me. It's strange, isn't it, That a man should have a consuming passion To do something for which he lacks the capacity? Could a man be said to have a vocation To be a second-rate potter? To be, at best,A competent copier, possessed by the cravingTo create, when one is wholly uncreative?I don't think so. For I came to see, That I had always known, at the secret moments,That I didn't have it in me. There are occasionsWhen I am transported- a different person,Transfigured in the vision of some marvellous creation,And I feel what the man must have felt when he made it.But nothing I made ever gave me that contentment-That state of utter exhaustion and peaceWhich comes in dying to give something life...
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About T.S. Eliot
Born in St. Louis, Missouri, to a prominent Boston Brahmin family, he moved to England in 1914 at the age of 25 and went on to settle, work, and marry there. He became a British subject in 1927 at the age of 39 and renounced his American citizenship.
Eliot first attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" from 1914 to 1915, which, at the time of its publication, was considered outlandish. It was followed by The Waste Land (1922), "The Hollow Men" (1925), "Ash Wednesday" (1930), and Four Quartets (1943). He was also known for seven plays, particularly Murder in the Cathedral (1935) and The Cocktail Party (1949). He was awarded the 1948 Nobel Prize in Literature, "for his outstanding, pioneer contribution to present-day poetry".