John Dunning Quote
Just down the street from Gildersleeve, in the next block, lived the widow Leila Ransom. In the second full year she became a pivotal character who on June 27, 1943, got Gildersleeve to the altar and to the last line of the wedding ceremony. The show had much of the appeal of a serial, a 30-minute sitcom whose episodes were connected—sometimes into storylines that ran for months—but were also complete in themselves. Gildersleeve’s romances were often at the crux of it: he was sued for breach of promise, got fired from his job, and ran for mayor—situations that each took up many shows. In a memorable sequence beginning Sept. 8, 1948, a baby was left in Gildersleeve’s car. This played out through the entire fall season, the baby becoming such a part of the family that Kraft ran a contest offering major prizes to the listener who could coin the child’s name. But in a teary finale, Dec. 22, the real father turned up and took the baby away.
Just down the street from Gildersleeve, in the next block, lived the widow Leila Ransom. In the second full year she became a pivotal character who on June 27, 1943, got Gildersleeve to the altar and to the last line of the wedding ceremony. The show had much of the appeal of a serial, a 30-minute sitcom whose episodes were connected—sometimes into storylines that ran for months—but were also complete in themselves. Gildersleeve’s romances were often at the crux of it: he was sued for breach of promise, got fired from his job, and ran for mayor—situations that each took up many shows. In a memorable sequence beginning Sept. 8, 1948, a baby was left in Gildersleeve’s car. This played out through the entire fall season, the baby becoming such a part of the family that Kraft ran a contest offering major prizes to the listener who could coin the child’s name. But in a teary finale, Dec. 22, the real father turned up and took the baby away.