Katherine Sarafian, a producer who’s been at Pixar since Toy Story, tells me she prefers to envision triggering the process over trusting it—observing it to see where it’s faltering, then slapping it around a bit to make sure it’s awake.
Ed Catmull
Katherine Sarafian, a producer who’s been at Pixar since Toy Story, tells me she prefers to envision triggering the process over trusting it—observing it to see where it’s faltering, then slapping it around a bit to make sure it’s awake.