A.S. Byatt Quote

So—I went on, on my own—deeper and deeper into the silent Tunnel of the Ride—not so sure of where I was and yet not anxious either, not concerned about my companions nor even about the nearness of—certain friends. The trees were beech, and the buds, just breaking, fiercely brilliant, and the new, the renewed light on them—intermittent diamond—but the depths were dark, a silent Nave. And no birds sang, or I heard none, no woodpecker tapped, no thrush whistled or hopped. And I listened to the increasing Quiet—and my horse went softly on the beech-mast—which was wet after rain—not crackling, a little sodden, not wet enough to plash. And I had the sensation, common enough, at least to me, that I was moving out of time, that the way, narrow and dark-dappled, stretched away indifferently before and behind, and that I was who I had been and what I would become—all at once, all wound in one—and I moved onward indifferently, since it was all one, whether I came or went, or remained still. Now to me such moments are poetry. [Randolph Henry Ash]

A.S. Byatt

So—I went on, on my own—deeper and deeper into the silent Tunnel of the Ride—not so sure of where I was and yet not anxious either, not concerned about my companions nor even about the nearness of—certain friends. The trees were beech, and the buds, just breaking, fiercely brilliant, and the new, the renewed light on them—intermittent diamond—but the depths were dark, a silent Nave. And no birds sang, or I heard none, no woodpecker tapped, no thrush whistled or hopped. And I listened to the increasing Quiet—and my horse went softly on the beech-mast—which was wet after rain—not crackling, a little sodden, not wet enough to plash. And I had the sensation, common enough, at least to me, that I was moving out of time, that the way, narrow and dark-dappled, stretched away indifferently before and behind, and that I was who I had been and what I would become—all at once, all wound in one—and I moved onward indifferently, since it was all one, whether I came or went, or remained still. Now to me such moments are poetry. [Randolph Henry Ash]

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About A.S. Byatt

Dame Antonia Susan Duffy (née Drabble; 24 August 1936 – 16 November 2023), known professionally by her former married name, A. S. Byatt ( BY-ət), was an English critic, novelist, poet and short story writer. Her books have been translated into more than thirty languages.After attending the University of Cambridge, she married in 1959 and moved to Durham. It was during Byatt's time at university that she began working on her first two novels, subsequently published by Chatto & Windus as Shadow of a Sun (1964; reprinted in 1991 with its originally intended title, The Shadow of the Sun) and The Game (1967). Byatt took a teaching job in 1972 to help pay for the education of her son. In the same week she accepted, a drunk driver killed her son as he walked home from school. He was 11 years of age. Byatt spent a symbolic 11 years teaching, then began full-time writing in 1983. The Virgin in the Garden (1978) was the first of The Quartet, a tetralogy of novels that continued with Still Life (1985), Babel Tower (1996) and A Whistling Woman (2002).
Byatt's novel Possession: A Romance received the 1990 Booker Prize, while her short story collection The Djinn in the Nightingale's Eye (1994) received the 1995 Aga Khan Prize for Fiction. Her novel The Children's Book was shortlisted for the 2009 Booker Prize and won the 2010 James Tait Black Memorial Prize. Her critical work includes two studies of Dame Iris Murdoch (who was a friend and mentor), Degrees of Freedom: The Early Novels of Iris Murdoch (1965) and Iris Murdoch: A Critical Study (1976). Her other critical studies include Wordsworth and Coleridge in Their Time (1970) and Portraits in Fiction (2001).
Byatt was awarded the Shakespeare Prize in 2002, the Erasmus Prize in 2016, the Park Kyong-ni Prize in 2017 and the Hans Christian Andersen Literature Award in 2018. She was mentioned as a candidate for the Nobel Prize in Literature.