Adolf Loos Quote

It is ridiculous to lay down to people where a thing should stand, design everything for them from the lavatory pan to the ashtray. On the contrary, I like people to move their furniture so that it suits them (not me!), and it's quite natural (and I approve) when they bring the old pictures and mementos they have come to love into a new interior, irrespective of whether they are good taste or bad.

Adolf Loos

It is ridiculous to lay down to people where a thing should stand, design everything for them from the lavatory pan to the ashtray. On the contrary, I like people to move their furniture so that it suits them (not me!), and it's quite natural (and I approve) when they bring the old pictures and mementos they have come to love into a new interior, irrespective of whether they are good taste or bad.

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About Adolf Loos

Adolf Franz Karl Viktor Maria Loos (German pronunciation: [ˈaːdɔlf ˈloːs]; 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, and a polemicist of modern architecture. He was inspired by modernism and a widely-known critic of the Art Nouveau movement. His controversial views and literary contributions sparked the establishment of the Vienna Secession movement and postmodernism.Loos was born in Brno to a family of sculptors and stonemasons. His almost deaf father, a stonemason, died when he was 9 and played a role in Loos' interest in arts and crafts. Loos later presented with his father's hearing impairment and other health-related issues. His lack of hearing contributed to his solitary personality. Loos had three tumultuous marriages that all ended in divorce and was convicted as a pedophile in 1928.
With changing interests, Loos attended multiple colleges also due to his poor academics and his different desires, which proved to be useful by providing him a diverse skillset for architecture. After leaving his last university, Loos visited America and became strongly impacted by the Chicago School of Architecture, being inspired by the architect Louis Sullivan and his form follows function philosophy.
Loos then went on to write many literary pieces including the satirical piece The Story of a Poor Rich Man and his most popular manifesto, Ornament and Crime, which advocated smooth and clear surfaces in contrast to the lavish decorations of the fin de siècle, as well as the more modern aesthetic principles of the Vienna Secession, exemplified in his design of Looshaus, Vienna.
Loos became a pioneer of modern architecture and contributed a body of theory and criticism of Modernism in architecture and design and developed the "Raumplan" (literally spatial plan) method of arranging interior spaces, exemplified in Villa Müller in Prague. He died aged 62 on 23 August 1933 in Kalksburg near Vienna.