Arlie Russell Hochschild Quote

Harold adds an important idea to that of Evans-Pritchard. The state always seems to come down on the little guy, he notes. Take this bayou. If your motorboat leaks a little gas into the water, the warden'll write you up. But if companies leak thousands of gallons of it and kill all the life here? The state lets them go. If you shoot an endangered brown pelican, they'll put you in jail. But if a company kills the brown pelican by poisoning the fish he eats? They let it go. I think they overregulate the bottom because it's harder to regulate the top.

Arlie Russell Hochschild

Harold adds an important idea to that of Evans-Pritchard. The state always seems to come down on the little guy, he notes. Take this bayou. If your motorboat leaks a little gas into the water, the warden'll write you up. But if companies leak thousands of gallons of it and kill all the life here? The state lets them go. If you shoot an endangered brown pelican, they'll put you in jail. But if a company kills the brown pelican by poisoning the fish he eats? They let it go. I think they overregulate the bottom because it's harder to regulate the top.

Tags: irony

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About Arlie Russell Hochschild

Arlie Russell Hochschild (; born January 15, 1940) is an American professor emeritus of sociology at the University of California, Berkeley and writer. Hochschild has long focused on the human emotions that underlie moral beliefs, practices, and social life generally. She is the author of ten books, including the forthcoming Stolen Pride: Loss, Shame, and the Rise of the Right (The New Press, September 10, 2024). Stolen Pride is a follow-up to her last book, Strangers in Their Own Land: Anger and Mourning on the American Right, a New York Times Bestseller and finalist for the National Book Award. Derek Thompson described it as "a Rosetta stone" for understanding the rise of Donald Trump.
In these and other books, she continues the sociological tradition of C. Wright Mills by drawing links between private troubles and public issues. In drawing this link, she has tried to illuminate the ways we recognize, attend to, appraise, evoke, and suppress—that is to say, manage—emotion. She has applied this focus to the family, to work, and to political life. Her works have been translated into 17 languages. She is also the author of a children's book titled Coleen The Question Girl, illustrated by Gail Ashby.